Shredded magazines and studio waste, wood, adhesive.
A number of works are framed with anti-reflect glass for traditional presentation. In keeping with Jeannies practice, these works form elements in installations, as punctuation, in perception.
Developed over time, they are slow in their making when repetition and order of chaos are necessary. They are quiet analogies of the duality of experience relating to the personal and political landscape. Each presents as a double artwork, requiring the viewer to shift their position to gain a different perspective.