This relief sculpture is one of a series of works created through a repetitive process of shredding and representing paper as a three dimensional medium. This reorganisation of 'shreds' as lines, together with their interstices, introduce movement to vibrate or oscillate between the visible and the invisible, the material and immaterial.

In these series of works Driver plays with time, visual perception and the 'experience of looking' that requires the viewer to 'shift their position' to fully experience the work.